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Reviews: The Flash, Arrow and Legends Return, Plus Supergirl’s CW Arrival

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The CW’s superhero slate hits the ground running on Tuesday, Oct. 4, when The Flash reveals its strange new world, followed by the returns of Arrow (on Wednesday), Supergirl (Monday, Oct. 10) and Legends of Tomorrow (Thursday, Oct. 13).

Since the comic books-based quartet — to a greater degree than ever (punctuated by the upcoming four-way crossover) — share a universe (if not an Earth), here’s a side-by-side(-by-side-by-side) review of their premieres, in the order they air.

The Flash -- "Flashpoint " -- Image: FLA301b_0039b.jpg -- Pictured: Grant Gustin as Barry Allen -- Photo: Katie Yu/The CW -- © 2016 The CW Network, LLC. All rights reserved.

The Flash — “Flashpoint ” — Image: FLA301b_0039b.jpg — Pictured: Grant Gustin as Barry Allen — Photo: Katie Yu/The CW — © 2016 The CW Network, LLC. All rights reserved.

THE FLASH | Not surprisingly, The CW’s super lineup puts its bets foot forward with The Flash‘s Season 3 premiere, which straight away explores the ramifications of Barry traveling back in time to stop Reverse-Flash from killing his mother. As Grant Gustin foretold, this is a curated spin on the famous Flashpoint storyline — meaning, Barry is not aghast to realize what he hath wrought, but rather is quite OK with it. As Barry gloats to Eobard Thawne (played with the right amount of comic book-style flourish by Matt Letscher), he now has it all, with his mom alive and Dad never imprisoned, while a new, don’t-call-me-Kid Flash bears the burden of keeping baddies at bay. There’s only the matter of Barry having never gotten close (let alone close) with Iris West, but that sets the stage for sparkling scenes (as well as surprises that delight), thanks to the chemistry between Gustin and Candice Patton.

Of course, all is not really right in Barry’s new world, he comes to discover, and that ignites the engine that drives the rest of the opener — and introduces us to the slightly (or majorly) altered incarnations of other familiar faces (Danielle Panabaker has never been more charming). As anticipated since Flashpoint was hinted at in the finale, The Flash‘s return is a tremendous amount of timeline-tweaking fun, though the premiere closes with a gut-punch of a twist.


Arrow -- "Legacy" -- Image AR501c_0026b --- Pictured (L-R): Mike Dopud as Viktor and Stephen Amell as Oliver Queen -- Photo: Bettina Strauss/The CW -- © 2016 The CW Network, LLC. All Rights Reserved.

Arrow — “Legacy” — Image AR501c_0026b — Pictured (L-R): Mike Dopud as Viktor and Stephen Amell as Oliver Queen — Photo: Bettina Strauss/The CW — © 2016 The CW Network, LLC. All Rights Reserved.

ARROW | Whereas The Flash is light on its feet, Arrow is back with — thankfully — what promises to be one of its more grounded, grittier seasons ever. There has been no convenient reuniting of the team during the off-season; rather, Diggle is back in soldier mode in Chechnya, while Thea is thrilled to have shed her bloodlust once and for all, now working as chief of staff to “Mayor Handsome” (as the papers dub him). Yes, Oliver misses the bull’s-eye as a politician, burning the candle at both ends as he is (and going solo on the nighttime streets at that). Running comms, Felicity is still is his ear (if nowhere close to his bed) and pushing for staff additions in the form of some independent vigilantes she has scouted.

Green Arrow would be wise to sign off on some new sidekicks and quick, seeing as the Quentin Lance-less SCPD has been overrun by dirty cops, while new menaces now loom in the form of gangster Tobias Church (played by The Walking Dead‘s Chad L. Coleman with a gravelly and intimidating Zoom-like voice) and an extremely dark archer.

Perhaps the best news is that the fifth and final round of flashbacks are, one could argue, as compelling as the current-day narrative, as Oliver locks horns with Anatoly Knyazev and the Russian Bratva, looking to make good on his promise to… hmm, I want to say “Taiana”? (You know, the girl from the island.) Stephen Amell spent much of the summer trumpeting a return to OMG stunt sequences and brutal brawling, and he would seem to be spot-on in that exciting assessment.

Will (and why would) Dig and Thea suit up again? How will any new recruits acclimate to Team Arrow? And are any of the season-opening wrinkles the result of The Flash‘s Flashpoint timeline tinkering? Leaving us with those questions and others, the Arrow premiere suggests a solid Season 5.

Supergirl -- "The Last Children of Krypton" -- Image SPG202b_0146 -- Pictured (L-R): Melissa Benoist Kara/Supergirl and Chyler Leigh as Alex Danvers -- Photo: Diyah Pera/The CW -- © 2016 The CW Network, LLC. All Rights Reserved

Supergirl — “The Last Children of Krypton” — Image SPG202b_0146 — Pictured (L-R): Melissa Benoist Kara/Supergirl and Chyler Leigh as Alex Danvers — Photo: Diyah Pera/The CW — © 2016 The CW Network, LLC. All Rights Reserved

SUPERGIRL | The CBS series sticks its landing on The CW, virtually indistinguishable from its freshman run. Yes, a new, not-so-gloomy DEO base is revealed, and the occasional outdoor scene screams “Vancouver!,” but outside of that, it’s BAU for the girl in blue, played winningly on all fronts by Melissa Benoist.

If you happen to be here for the Superman of it all, the premiere won’t disappoint. Kal-El is introduced early on, pitching in on a big save, and then sticks around to fluster most everyone, from a purring Cat Grant to fanboy Winn. (Hank, meanwhile, years ago invoked the Man of Steel’s ire, making for a bit of welcome tension.) Here at the TVLine office, we’re divided into two camps: one that thinks Tyler Hoechlin is better as Clark than Supes, or vice versa. Regardless, he’s a solid TV Superman. Katie McGrath seems fine as Lena Luthor, though she is introduced via a snoozy bombing plot.

Amid all the Kryptonians’ butt-kicking, I was pleased to see Alex deliver a pivotal beatdown; Chyler Leigh really sells her part of fight scenes. And though Cat Grant’s appearances will be measured in Season 2, the show will make the very most of them, here with an extended runner about Kara’s career path. Alas, a development on the romantic front for Kara seemed made of whole cloth, doing no characters any favors.

Supergirl very much plays in the same brightly colored playground as The Flash, sprinkling in nerdy nods (“Miss Tessmacher!”) with vivid action sequences. Serving up an ongoing villainous threat, though, seems to remain its storytelling Kryptonite.

DC's Legends of Tomorrow --"Out Of Time" -- Image LGN201A_0030.jpg Pictured: Caity Lotz as Sara Lance/White Canary -- Photo: Diyah Pera/The CW -- © 2016 The CW Network, LLC. All Rights Reserved.

DC’s Legends of Tomorrow –“Out Of Time” — Image LGN201A_0030.jpg Pictured: Caity Lotz as Sara Lance/White Canary — Photo: Diyah Pera/The CW — © 2016 The CW Network, LLC. All Rights Reserved.

LEGENDS OF TOMORROW | Bringing the superhero series’ premieres to a close, DC’s Legends of Tomorrow… remains an odd bird. It’s been well reported that Season 2 by design is a “reboot” of sorts, quickly pivoting Rip’s ragtag crew away from their closed-ended hunt for Vandal Savage and in the direction of something new. Still, the cold open is super-creaky, catapulting historian Dr. Nate Heywood (new series regular Nick Zano) into Oliver Queen’s mayoral office with an armload of wild theories about the Legends having gone “missing” in various points in time. How that download dovetails into Nate and Oliver’s arrival upon the improbably situated Waverider… wow, it’s a lot to swallow.

The better news is that once aboard the ship, the ensuing backstory on the Legends’ predicament tees up a rollicking, rat-a-tat recap of their off-season flitting through time; showrunner Phil Klemmer told me the show is now leaning into the merriment of mixing it up with historical figures such as Albert Einstein, and that’s evident (though the famous physicist is played a bit too broadly in the premiere). More interesting than a new “mystery” the premiere leaves us with are the first hints at the sinister Legion of Doom that will keep the Legends busy this season, first embodied by Damien Darhk and punctuated by an episode-ending cameo.

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